Artist Statement: Power of Graphite

Professor Cotton’s Studio work is illustrative in nature each piece telling a part of a story as if sitting on a page of a book.

The work stands as a record of pain and recovery. Emotions are time stamped in memory and replayed on paper. Each piece illustrates either the agony through visceral abstractions of grit and distress, or the rise from torment through more literal parables.

The tedious act of drawing infinite details helps me to illustrate the time it takes to overcome the memory stamped within. Each drawn piece calling upon an allegory to explain the events they describe. The use of color muted or non-existent as to allow for the darkness and contrast of the graphite and charcoal to take hold in the viewer; giving them a sense of ominous foreboding or an uneasiness to the unknown.

My work is meant to communicate clearly but not always an elaborate message. Through drawing and the laborious nature of providing such detail I am able to use more literal objects and subject matter to create parables of emotional events. Through this I can communicate agony, and the beauty that sometimes accompany it.

 

Alone

Series: Rise

Started in 2012 this series began as an outlet for pain and grief.

As an ongoing series it actively records and works as a visual memory to the emotions felt at the time of each piece’s rendering or conception. Each piece is meant to have the viewer consider the idea of “place” in both the more classic geographic terms, but also in the sense of the emotional spectrum. This is meant to help illustrate a journey that is both external and internal. The pieces are sequential meaning that there is a start, finish, and proper linear progression to the series but there are no plans to show them in sequence until the series is finished. This series is highly therapeutic in nature and thus isn’t necessarily always meant for an exhibition setting.

 

Below or a view select pieces from this series.

aftermath
hero_greatestlight
Dying of the Light
Time Stood Still
Epicenter
Standing Tall
Crucible
Point of Contemplation
YouthErosion

Series: Beauty and Destruction

Beauty like Time is finite and its quality subjective.

Like Time beauty can also be the catalyst for wonder and creation, and yet it can also be a destructive force. This now completed series juxtaposes our ideals of beauty utilizing the human form with the carnage and awe of destruction illustrated through texture and details. Each piece uses a different classical pose with a different form of destruction, the audience is meant to find the beauty in both and to thus question their own ideals.

 

See below for examples from this series.

Dissolution and Delight
Absolution and Destruction
purityandpetrified
Graphite on Paper
12x8

Series: Lost

Our greatest journey is usually when we’re trying to find our way.

This new series explores places and scenes of reflection and unknown destinations. Each piece is meant to invoke a sense of mystery in order to create the uneasy feeling of not knowing where you are or what is ahead.

 

See below for examples from this series.

Lady in White
Perhaps Someday
Just Out of Focus

Series: Highs, Lows, and Everything In-between

Can you see what we’ve lost and gained?

This new series explores emotional expression differently than I’ve done so in the past. This portrait series is meant to show what we’ve lost and how we got through a world hidden away by masks and filled with tribulation and tumult in both a literal and metaphorical sense.

 

See below for examples from this series.

Persistence Through Fear
Thoughtfulness Through Sadness
Strength through Obstinance
Survival Through Wrath
Absolution Through Insanity
Confidence Through Seduction